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National Repository of Grey Literature 1 records found  Search took 0.01 seconds. 
Imaging styles of American Cameramen in the 1960’s and 70‘s in the 20th century
 Chajewski, Jan ; BRABEC, Jaroslav (advisor) ; SMUTNÝ, Vladimír (referee)
An analysis of the changes in style in cinematography during the „New Hollywood“ or „American New Wave“ of the 1960’s and 70‘s is the intent of this thesis. The main context for this analysis is the influence the French New Wave had on American Cinema. We try to look at specific aspects of American visual culture and the progress made in that culture as a result of American cinematographer’s reaction to new cinematic ideas. As a result of new thinking in cinema Hollywood cameramen began making “mistakes” acceptable and using them as visual tools, that their older colleagues where forbidden to use. Bonnie and Clyde was the first widely successful “New Hollywood” film, so in comparison to Jules and Jim, its French equivalent, we can look at the way visual language changed and how differently the same cinematic thought can be brought to life in two very different cinematic cultures. The main contribution of this thesis is the analysis of the new visual tools that American cameramen brought to world cinema. These tools can be observed when watching almost any audiovisual product made after 1967, when Bonnie and Clyde had its premiere. For future cinematographers the knowledge of the historical context of these visual tools can be beneficial for more informed viewing.
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